October 10, 2008

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On Her Own Ground

An interview with author A'lelia Bundles, who chronicles the life of African American entrepreneur and philanthropist Madam C.J. Walker.

By Nzinga Moore

As an aspiring journalist I was very excited to have the opportunity to interview an award-winning television news producer, journalist, and author. A'lelia Bundles, a journalist who loves a well-told story, received an American Book Award from the Before Columbus Foundation in 1991. As the great-great-granddaughter of one of the most established persons of our time and author of the newly published On Her Own Ground—The Life and Times of Madam C. J. Walker, Bundles is considered the authority on Walker's life.

Madam C.J. Walker is best known for starting a successful business selling Madam Walker's Wonderful Hair Grower (a hair product for African American women), and becoming a millionaire in a time when African Americans were just claiming their place as citizens in America.

Through Bundle's writings, readers can learn more about Madam Walkers' work as an entrepreneur and more importantly as an activist and philanthropist.

Youth In Control: What inspired you to write On Her Own Ground: The Life and Times of Madam C.J. Walker?

A'Lelia Bundles: Well to tell you the truth, it was just my passion. I think I began working on this when I was a little girl even before I could read. The silverware that we used everyday in my house had Madam Walker's monograms on it. And the china we used on Thanksgiving was her hand painted china. My mother was vice president of the C.J. Walker Manufacturing Company. So I had little seeds planted from my earliest years, and as I developed my skills as a journalist I realized I was telling other people's story and I needed to be telling Madam Walker's story and the story of African Americans.

YIC: And what do you think the story of African Americans' is - from then until now?

A.L.: Well despite a great deal of adversity we still triumph. And that's really what her story is about. She's a great American riches story and we're woven into the fabric of American history, but we're not always given credit for the things that we have done.

YIC: Can you compare and contrast your life to Madam C.J. Walker's?

A.L.: Well the obstacles that I've faced really pale in comparison to what Madam Walker had to go through. She was born the daughter of slaves in 1867, she was orphaned by the time she was seven, married at 14, a widow with a two-year-old daughter at 20. She experienced more loss and more adversity in the first 20 years of her life than I've ever experienced at all in my life.

With no education and no particular skills she was really consigned to the bottom of society. Now we all have personal obstacles and personal adversity that we have to overcome. I really was very fortunate to have a privileged childhood. But everyone has to go through something, whether there are people who stand in your way or there are obstacles in the way. And I have drawn strength from the example that my parents set but also the more I have learned about Madam Walker the more I look to see just how determined she was and I really have no excuse. I have to realize my goals and my dreams.

YIC: Can you talk a little about her political involvement as well?

A.L.: What's very interesting to me is that the wealthier Madam C.J. Walker became the more politically militant she became. She was a woman who had observed lynching and she had observed discrimination when she was a child and throughout her adulthood. And when she had the power to have a platform to speak out against these things she used it. And she was even spied upon by the US government for speaking out against lynching, for speaking out in favor of civil rights, for talking about the rights of black soldiers during World War I. But she was courageous and she didn't let that stop her. Her money had come from people in the black community and she wanted to use her wealth and her influence to make things better for other people.

YIC: And what about giving? I know she was a philanthropist also.

A.L.: I think in part because she herself had had such a difficult early life she turned that into a vision for other people. She contributed large amounts of money. And in some ways reconfigured the philosophy of philanthropic giving in the black community. We've always given to churches but she started giving to schools and colleges, to the YMCA. She gave 5,000 dollars to the anti-lynching campaign of the NAACP… So that to me is a major part of her legacy, that she made money but she used that money to benefit the community.

YIC: And how did she initially start out with this idea of hair care products?

A.L.: Well this was the true story of necessity is the mother of invention. She was going bald! And she was going bald because she had a horrible scalp disease, which was very common at the time among black and white women. It was an old wives' tale that women should only wash their hair once a month and not at all during the winter. And it is just too gross to even really think about. But you can just imagine inflammation and dandruff and all the horrible things that would happen if you washed your hair that infrequently.

As a result she was going bald. Her scalp was too unhealthy for her hair to grow. And she said, "I felt so ashamed of my appearance, my frightful appearance, I prayed to God for a solution." And she said, "And shortly after that in a dream a big black man came to me and told me what to mix up for my products; some of the ingredients came from Africa. I sent for them and mixed them together and applied the ointment to my scalp and my hair began to grow back faster than it had ever fallen out."

YIC: People also mistake her for inventing the straightening comb. Did she have any ties to straightening African-American women's hair?

A.L: Many people do believe that Madam Walker invented the straightening comb but she didn't and you would be surprised to know that the straightening comb was probably around in the mid-19th century and white women were really the first ones who used the straightening comb because they were trying to affect certain styles with wigs.

But Madam did popularize the use of the straightening comb among black women; she wasn't the only one who used it. But she thought it was an improvement over some of the other methods that black women were using to straighten their hair. She thought the comb, which separated the strains of the hair, made the hair more natural and allowed it to have more body. She wasn't pressing it so that it was flat and slicked down, but women did want to be able to comb through their hair and affect some of the styles of the day. And you know we can't deny that we are influenced by the society around us.

And there might have been some dimensions of wanting to look European but I think she really understood this conflict. She once told a reporter, "Let me correct the erroneous impression that I claim to straighten hair. I grow hair. I want the great masses of my people to care more about their appearance." And she said that at a time when African Americans were becoming more urban and competing in the job market so she understood this controversy.

YIC: How does an African American woman's hairstyle help her career or limit her?

A.L.: I think that there is still a lot of pain around our hair, that some people are uncomfortable about their natural hair. But I think our hair is kinda like jazz: it's a little bit of this, it's a little bit the background from this part of our lives, from that part of our lives. And I think we get too hung up on whether it's straight or whether it's not straight.

YIC: Can we go back a little bit to her political involvement? Is there one specific story that you might tell, out of everything that she did?

A.L.: Definitely. My favorite story about her involves Booker T. Washington. Madam Walker wanted to tell her story, people wanted to know her success. How she had moved from being an orphan and a widow to being a woman who was making more money than white executives… And so she thought it was appropriate to attend the 1912 National Negro Business League Convention in Chicago. And that organization had been founded by Booker T. Washington, who was the most powerful black man in America.

When she arrived at the convention she sent word to Booker T. Washington that she wanted to be included on the program so she could share her story along with the other delegates — who were seen talking about banks they had founded and stores they had opened, companies they had started since slavery. And Booker T. Washington ignored her request. So on the second day she enlisted the aid of a good friend of hers, George Knox, who was the publisher of a black newspaper and a friend of Booker T. Washington's. And George Knox stood up on her behalf and said, "We should hear from Madam Walker. She's the woman who contributed 1,000 dollars to the black YMCA. Her story is fascinating." And Booker T. Washington looked at George Knox and dismissed him and said, "You know we're discussing lifetime membership.

And so on the third and final day of the convention, when Madam Walker saw that she wasn't going to be given an opportunity to speak she realized she would have to seize the opportunity. So she waited for the last banker to complete his remarks, stood at her seat, looked toward Booker T. Washington and said, "Surely you're not going to shut the door in my face. I am a woman who came from the cotton fields of the South. From there I was promoted to the washtub, from there I was promoted to the cook-kitchen and from there I promoted myself into the business of manufacturing hair goods and preparations. I have built my own factory on my own ground."

The next year Booker T. Washington invited her back as a keynote speaker…I love that. That's where the title of my book, On Her Own Ground, comes from, from that speech.

YIC: How are other ways Madam C. J. Walker dealt with sexism and racism during that time?

A.L.: Boy, she certainly faced a lot of it. But she just kept pushing through it. She was a resilient human being who wouldn't allow these obstacles to get in her way. She was a person of great faiths… She was so driven to make money and to use that money to make a difference. She realized that what was respected most in America was the money that you had. And the money became a means to an end for her to facilitate change.

YIC: Let's talk about you for a little bit… How did you get your start in journalism?

A.L.: When I was eight years old I had my first story that was published, and [I knew] that's what I want[ed] to do. My parents were wise enough not to push me into what essentially was the family business, but to let me discover my own talents and follow my own dreams. I studied journalism. I worked for years in television. But I think that all the time I was honing those skills to tell stories so that I could tell this story of Madam Walker.

In telling Madam Walker's story I hope that I'm writing history in the way that it should have been written for me, so that the next generation doesn't have to rediscover these things. That it's already there for them… So I really think that my purpose here is to tell these stories so that we understand our past and understand the contributions that we've made to America.

YIC: What advice would you give to a young person interested in studying journalism?

A.L.: I think the most important thing for someone who wants to be a journalist is to be able to write well. And that sounds very simplistic. But writing is very hard. When I was doing my book, each chapter I probably rewrote 10 or 12 or 15 times. So the secret to writing, at least for me, is rewriting. And reading lots of other things — lots of other really good writers. And it takes some time to develop it.

I read things that I wrote 10 years ago or 20 years ago and I'm almost embarrassed to read them, but I know that I get better every year. And even some of my paragraphs in the book now, I read them and think, "Boy that sounded good a year and a half ago, but it could have been better." So you always have to be your own critic and your own editor, and then not be afraid to find a buddy who is also a writer and let them critique your work and sort of have a partnership in that.

YIC: Are there any final things that you would like to say about Madam C.J. Walker?

A.L.: I like to remind people that the first time someone says no to you, [it] just means an opportunity. And that was how Madam Walker viewed the obstacles… she would say to people, "Don't wait for the opportunities to come. You have to get up and make them for yourselves."

For more information about Madam C.J. Walker and A'lelia Bundles' book, On Her Own Ground—The Life and Times of Madam C. J. Walker, check out http://www.madamcjwalker.com

— Nzinga Moore is a sophomore at San Francisco State University. She has interviewed Michael Franti, Tavis Smiley, the host of BET Tonight with Tavis Smiley, and Pam Moore, who is a co-anchor for KRON-TV.


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