Watching the World Through Foreign Films

By Mayra Jimenez
September 2, 2009 at 01:05pm

When I was in middle school, I started watching foreign films, particularly those from Asia. I'd like to think that, at the time, my choice in movies reflected a perspective independent from other teens my age. As I grew older and continued to enjoy watching Bollywood and anime flicks, then relatively unknown to US audiences, I persisted in viewing the world through an independent lens. For instance, I am now a vegetarian and refuse to shop at large corporations known to exploit their workers and/or use sweatshops, like Wal-mart and Forever 21. These movies literally opened up new worlds to me. And knowing that there were other cultures out there, other ways of seeing the world, other ways of telling a story, be it romantic or horrific, helped me see the alternatives available to me in my own life.

 

Hollywood movies, on the other hand, are predictable and boring and present a bleak view of an alternate reality. Frankly, I’m tired of happy endings and distasteful romantic comedies because while they might provide an ideal version of real life, it’s a fantasy that’s been played over too many times. One can view Hollywood’s peddling of bland fare as a kind of censorship. While we have a lot of economic opportunities in the United States, we can’t necessarily freely express ourselves through mass media. Hollywood films don’t allow people to imagine worlds outside the confines of its narrowly defined standards.

While some cinematographers beautifully frame the images in Hollywood films, there’s not much diversity in the content. One thing I’ve noticed among foreign films is that they play more with the conventions of various genres. They can be both a musical and a thought-provoking documentary at the same time. One of the first foreign films I saw was the Bollywood movie "Asoka," which combined the genres of historical drama and romance. It is a fictional account of the Indian emperor Ashoka the Great, who ruled much of South Asia from 273 BCE to 232 BCE. I thought it was interesting that the main characters, Asoka and his beloved, never once touch each other, yet love each other intensely. I found this version of romance to be refreshing because it wasn’t just about sex; it was about emotions as well.

And even within one genre, there is variety. For instance, the Japanese film "Battle Royale" is about as unpredictable as a horror film can get. You won’t see any girls running through the woods and getting killed by the lakeshore. This movie is about a school in which every year, fifty junior high students are isolated so they can fight each other to the death until one student remains. And the students can’t escape. Their movements are restricted by metal collars around their necks which contain tracking and listening devices; if any student should attempt to escape the school, a bomb will be detonated in the collar, killing the wearer. If no student dies in any 24-hour period, all collars will be detonated simultaneously. To encourage the students to be creative in their killing, the teachers provide them with knapsacks filled with random objects. It’s clear that the plot has been designed to fully exploit the graphic potential of the movie. But, I think the more interesting aspect of the film is how it depicts what people would do if they had both the liberty and imperative to kill. It’s like a social experiment. And it’s definitely more thought-provoking than empty plots of dumb teenagers who are completely blind to their surroundings and get mindlessly murdered by some freakish killer.

Now, as Asian films become more mainstream, especially with the recent success of Danny Boyle's Bollywood-inspired hit, "Slumdog Millionaire," I’m wondering whether these films, and more importantly, the viewers of these films, will retain an independent viewpoint. When something goes from independent to popular, I feel like it’s no longer special. It’s not that the films themselves become lower quality. It’s just that I’m not sure that everyone who watches them really understands, appreciates, and learns from them.

 

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Comments

The Piece's Intent is in the Right Place, but...

NOTE- I typed this reply with paragraphs, but when I tried to preview it, the preview was shown without paragraphs. So if the reply appears to be one great big wall of text, I apologize. First of all, I do agree that I think America would be richer as culture just from being a little more open to cinema from other countries. They do provide a little bit of a different perspective of issues that are universal to all people. But I think you're being a little too dismissive about Hollywood and are not taking into account what some of these countries think of their own movies. Take, for example, your praising of Bollywood (which is often really just Mumbai cinema and does not apply to all of India). Many of the films from India are definitely a little bit more culturally relevant to the country of their origin, even more so than movie industries in the rest of Asia. I personally watch a lot of Chinese and Thai films. One such Thai film I enjoyed was recently broadcasted in India and many India commenters of the film would say things like "I wish Bollywood would be a little bit more inspired like this film". There are people in India who feel 'Bollywood' is too pandering and does not step outside the realm of masala films nearly enough. Another thing is that "Slumdog Millionaire" is a British film, not an Indian film. Quite a number of Indian viewers, in fact, were not pleased with the sort of image that "Slumdog Millionaire" paints of India and felt that the popularity of it was due to the fact it pandered to American's desire to see an impoverished, backwater India instead of a modernized one. And my personal opinion is that a person cannot claim to be a fan of cinema of other countries if all you take in is their art-house, "foreign" films (when I say "foreign", I mean films that emphasizes that country's otherness rather than what they actually like to see). A recent film I enjoyed from China was the highest grossing film for a year, "If You Are the One". Believe it or not, "If You Are the One" is a romantic comedy you seem to revile in your posting. It is also precisely the sort of film that does not succeed in America because, far from being martial arts and mysticism and fan dances, it is very modernized and (I dare say) ridden with product placements. A film recently topped "If You Are the One" as highest grossing film in China. That movie was "Transformers: Revenge of the Fallen". Clearly, lowbrow, stupid movies about giant transforming trucks is popular no matter where you are in the world. Finally, you're being elitist in you closing statement. You cannot claim in the article that foreign films are better than domestic films, then regard other people who watch them as somehow being less enlightened than you. If you really are a fan of Mumbai cinema, you ought to share those movies with friends and families and spread the word, not keep them all to yourself as if you think other people would not understand. I'm going to leave you, and other readers, with one such recommendation. Look for the Thai film, "Fan Chan". It is a romantic comedy about children growing up in the 1980's. It may sound bland and vanilla, but it was the highest grossing domestic film in 2003 and, quite frankly, it's actually very good. But, much like "If You Are the One", it is the sort of film the rest of the world actually likes to watch. Your post's intent is in the right place, but you too easily fell into that "Hollywood sucks, foreign/indie is better" position that others fall into.

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Mayra Jimenez
I live in East Los Angeles . I am currently a senior in Roosevelt high school. I hope to go to Cal State Long Beach someday.